May 21 - July 16, 2016
12-16 Blenheim Grove

Peckham’s The Sunday Painter have gone from strength to strength following their success at Frieze London last year. They are on my list of spaces I recommend to people looking to explore more than just the regular central London galleries. Leo Fitzmaurice’s often subtle yet playful works always delight.
— Andy Wicks, London Curator

Leo Fitzmaurice’s practice is grounded in a process of roaming and observation, appropriating existing languages, with a focus on the overlooked and the ubiquitous. Ultimately he calls into question our perception of our environments; for OH V HO the gallery has been transformed into a mise-en-scène, comprised of a range of objects, items and materials traditionally used in the installation or de-installation of an exhibition.

At the entrance a scaffold tower obscures the entrance of the gallery. Once negotiated a plastic sheet divides the space in half. Seemingly abandoned packing materials, step ladders, trestle tables and generally all manner of technician detritus litter the space. Upon closer inspection each item in thefirst half of the room is minutely reflected in the second half, as if a mirror runs down the centre of the room. A suspension of disbelief creeps in as the installation teeters on the edge of illusion. An accumulation of detailed evidence provides greater weight until the faculties of the mind eventually regain their equilibrium.

OH V HO seeks to unhinge reality. The illusion unmoors our conventional relationship with the objects and materials, their original function becoming secondary to the overall transformation.  The exhibition continues Leo Fitzmaurice’s interest in the world we have designed for, and around, ourselves.  The show focuses on the essential characteristic of symmetry, both in the objects we design, and our relations to them.

Leo Fitzmaurice b. 1963 Newport, England. Lives and works in Merseyside.