NEW BUILDING | TATE MODERN

NEW BUILDING | TATE MODERN

Opening June 17, 2016
Bankside


Featured image: View from the South © Hayes Davidson and Herzog & de Meuron


Rather than a particular exhibition I wanted to highlight Tate’s new addition to the Tate Modern, a large extension offering space for performance in the stunning Tate Tanks and further gallery levels within the new Switch House. As a regular gallery goer I rarely went to the Tate but the new extension has breathed new life into the Tate Modern offering more space for the collection and a variety of live art performances. Perhaps its time for me to embrace this visitors favourite
once again?
— Andy Wicks, London Curator
View from the South © Hayes Davidson and Herzog & de Meuron

View from the South © Hayes Davidson and Herzog & de Meuron

Cuts and Bricks architectural concept © Herzog & de Meuron

Cuts and Bricks architectural concept © Herzog & de Meuron

Tate Modern opened in 2000. On 17 June 2016 we will open a new building so we can display a greater variety of artworks and show more artists from around the world, presenting an increasingly international view of modern and contemporary art.

The new building is ten-storeys on top of The Tanks – the world’s first gallery spaces dedicated to live art, film and installations – its height responding to the chimney of the existing Tate Modern building which was originally designed as a power station by Giles Gilbert Scott in the 1950s. Its twisting, pyramid-like shape will be a memorable addition to London’s skyline and will offer 60% extra space for visitors to explore.

From The Tanks on Level 0 you can go all the way up to Level 10 and enjoy the spectacular new roof terrace with 360-degree views of the river Thames, St Paul’s Cathedral and the dramatic London skyline.

Like the original Tate Modern, the new building is designed by architects Herzog & de Meuron and will present a striking combination of raw industrial spaces and refined 21st century architecture.

The façade uses brick to match the surface of the existing museum, while creating something radically new – a perforated brick lattice through which the interior lights glow in the evening. The interior of the new building features raw concrete folded into dramatic angles and will be a stunning new building in which to experience art. 

The form is something between a very rational form and a very irrational form, a pyramidal shape. It’s to do with the geometries of the land parcel, but also angles that will lead people into the galleries.
— Jacques Herzog, Architect